This is a great way to add interest and movement. This includes tuning, voice selection and other miscellaneous settings. He then shows you around the interface, and the main parameters on the front panel for precise sonic tweaking, as well nexus 2 logic pro x the Display and how you can use it to get real-time information on how you have modified the loaded presets. The flexible and easy to use arpeggiator is next, as well as a breakdown of the Trance Gate, which uses a gate to automate volume and more.
Review: reFX Nexus 2: A Synth That Everyone Should Have
Back Issues Review: Arsov makes the case why sampled instruments somehow sound better than virtual analog ones — can this heresy be true?
Read and decide for yourself. At least that has been the case ever since sampled technology literally exploded in the last two years, making significant improvements in sound authenticity, especially regarding the additional programming abilities that sampling hosts can provide nowadays. Virtual analog synths still have their advantages, offering some extra programming options, but I regret to inform you, my dear reader, that reFX nailed all those extra options in their Nexus 2, so we now have the impressive wide and ultra-fat sound of sampled instruments along with all the programming flexibility of the virtual analog ones.
For that answer we should go a bit back into the past. The Story Some time ago, a friend of mine and a professional electro producer, visited me. As we talked about the production and about the tips and tricks we applied in our production, he suddenly told me that I definitely needed Nexus 2. I was a bit surprised, as I thought it is just another synth, and as I already have plenty of them, I wondered why should I need exactly this one?
Secondly all sounds are preprocessed, mostly using the desired frequency range, so there is almost no need for additional equalization. Obviously this is the right season for me to try this Nexus 2 thingy. I already knew at that moment that Nexus 2 was probably the most-used synth in modern production. Some time ago, it used to be Access Virus, and now it is obviously Nexus 2. Just turn your radio on, and you will have a good chance to hear it in action. Nexus 2 offers strong and nicely defined basses, soaring leads, impressive arpeggiators, and wide pads.
All instruments are well-defined, and the frequency is well-balanced. Goodbye layering and goodbye equalization, at least the heavy ones. A few days after I got Nexus 2, I received an order for making music for a short, second commercial, so I decided to give Nexus 2 a try.
Fifteen minutes later, I finished the piece with six instances of Nexus 2. Half an hour later, I received a message from the production house saying that they liked the piece, asking if the end note could be a bit longer.
I just increased the tempo by a few BPM, and gave the end an extra second to fade out properly. Me happy, producers happy, Nexus 2 happy. What else do you want from life? More real instruments can be found in some extensions. The main advantage of Nexus 2 is that all those sounds sound just right, without being overloaded with reverb. A lot of modern virtual synths sound too wet, being soaked in too much reverb, making it almost impossible to put them right in a mix.
Take off the reverb and you have the sound of plucking a hen; leave the reverb and this chosen sound overtakes the whole space. That reverb just adds some additional space and roundness. It is a real pleasure to mix those sounds. In a pre-Nexus 2 era, my bass track was overwhelmed with various effects to keep the bass sounds alive. A touch of low cut personal preference just finished the business. There is one central window containing all the additional controllers that modern synths offer.
Although usually not the case with Romplers, Nexus 2 combines samples using up to four additional oscillators, so it is definitely more ROM synthesizer than classical Rompler.
This main window is surrounded with the knobs that are the most used and abused on most of the modern hardware or software synths. The Filter and Amp sections offer classical envelope plus ADSR knobs like type, cutoff, res, spread, slope, spike, pan, etc. There is also a master filter section, which is applied to the entire output signal, as Nexus 2 presets can be combined from up to eight layers and this overall filter control them all.
Sorry to repeat myself, but only top-quality sounds are used. It is obvious that the reFX team spent a lot of time selecting only the best sounds for implementation in the final product. It reminds me of the modulation matrix window in Albino, in other words clean, neat, and very usable. The Arp button is my favorite. I miss such arpeggiators ever since I sold my Access Virus B years ago. The only thing that I can say about this arpeggiator is: Yes, you can!
The next one is Trance Gate which works as it should. Similar to Arp, it has an impressive preset library. The thing that impressed me the most later I noticed that Arp has the same function is the little arrow on the top of the pattern which allows us to choose the looped part which starts looping after the pattern plays from the beginning for the first time. The mixer button shows us the screen where various elements of the current preset can be activated, deactivated, or manipulated.
There is even a four band EQ section. This felt almost like being part of a Formula 1 team. All was done in 15 seconds. The Live section is some sort of a news section, as it brings you information about updates, new expansions, and similar things. The last one is a System button which brings up some essential parameters for chosen presets, like velocity curve, transpose, fine-tuning, voices, and some basic information about installed extensions.
Conclusions Nexus 2 is definitely one of the best-sounding synthesizers on the market at the moment. It is very flexible and very user-friendly with big array of implemented controllers and an even bigger expandable sound library. I know that reFX is not a big company, but their products and business approach gives you the impression that you are dealing with some really big and reliable company. So it is not all that unusual that we should hear this ROM synthesizer in almost every second song on the radio.
I presume that others are played with real instruments. If you are in dance or electro, Nexus 2 could be the only synth that you will ever need; if you are in any other genre — the same thing is true, especially if you decide that you need any synth at all. If you need more details or if you would like to hear some demo clips, feel free to visit reFX at:
LOGIC PRO X WORKSHOP
Mar 10, · Question: Q: Logic Pro X and Nexus 2. I just purchased Nexus 2 and it arrived today through mail. Trying to install it I am running into many issues. The two pictures that I have attached are what comes up on my screen when I try to activate the plug-in in the DAW. Logic Pro X, OS X Mountain Lion () Posted on Sep 10, PM. NEXUS2 includes these free expansions and more. Every year, during our Christmas sale, we add another one. So even if you’re on a budget, you have a steadily increasing library of top-notch sounds. Jan 04, · Nexus 2 [SOLVED] Tue Dec 30, am. Can anyone tell me how to use Nexus 2 within logic? I have just bought it and set up the e-license key, with the serial number. But i cannot see nexus anywhere within logic, anyone had the same problems or know how to solve this? Logic Pro X and Logic Pro MId 27″ imac GHz Inter.
VIDEO: Nexus 2 Logic Pro X
Discover ideas about Logic Pro X. February ReFX is a ROM synthesizer add-on that can provide the sound quality that can compete with any other. Check Logic Pro X’s Audio Unit Manager. (LPX’s menu bar / Logic pro X > Preferences > Audio Unit Manager.) and see if it’s listed there.